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Main Image for Storytellers Spotlight

Storytellers Spotlight

Reading Orwell Now: Why We Write
December 4, 2026
10 am – 2:30 pm Eastern Time • Online

Join us for the third session of the Storytellers Spotlight Series,
an online event celebrating authors whose writing has earned a cherished place in our classrooms. 

Registration will open in September.

Storytellers Spotlight 2026
Reading Orwell Now: Why We Write
 

The 2026 Storytellers Spotlight is an online workshop. Participants read and write together in small, interactive workshop groups, drawing on IWT's writing-rich pedagogies to explore some of Orwell's most celebrated works. 

This December, we turn to the work of George Orwell, whose prescient novels are taught across grade levels. First published in 1949, Nineteen Eighty-Four holds particular relevance in today’s classrooms. “This remarkable novel stands out not only because of the cautionary tale it tells but also because it sharply discerns the power of language,” observes Elif Shafak. “Words can heal, words can hurt. They can build or destroy.”

Beyond prompting readers to ask timeless questions about truth and power, free speech and misinformation, Nineteen Eighty-Four speaks to habits of mind that we hope to cultivate in our students. In “Why I Write” (1946), Orwell describes his “desire to push the world in a certain direction, to alter other people’s idea of the kind of society that they should strive after.” Reading Nineteen Eighty-Four alongside selections from his essays and journalism, we will consider how Orwell separates information from real understanding, and how rigor and a sense of play can sharpen our thinking. Working together, we will take up Orwell’s call to value, teach, and practice clear and engaged writing. 

Texts: Nineteen Eighty-Four, “Why I Write,” and other selected works by George Orwell

Registration & Fees

Registration will open in September!

  • Tuition
    Early Bird Fee: $349
    Must register by November 6; tuition must be paid in full prior to workshop.

    Standard Fee: $399
    Cancelation policy: No refunds will be issued for cancelations made later than one week before the workshop.
  • Credit and Scholarship Opportunities
    CTLE Credit
    All Bard IWT workshops are Continuing Teacher and Leader Education approved in New York State. Storytellers Spotlight is 4 CTLE hours. 

    The Teresa Vilardi Scholarship
    IWT welcomes scholarship applications from those studying to become teachers (i.e., those registered in Bard’s MAT Program or another accredited program in education) and in-service teachers with limited professional development funds. 

Hear it from our participants

“I always appreciate the way IWT provides space for me to be a student again, and to slow down my thinking process.”​​​​​​

—2025 Storytellers Spotlight participant

Storytellers Spotlight 2024

Jamaica Kincaid: A Field Guide for Writers and Thinkers

Join us for the inaugural session of the Storytellers Spotlight Series, a new online event celebrating authors whose writing has earned a cherished place in our classrooms. Jamaica Kincaid’s writing—famously lyrical and trenchant—touches on themes of identity and belonging, nature and gardening, and the cultural legacies of colonialism.

“Desire and curiosity inform the inevitable boundaries of the garden,” Kincaid writes, “and boundaries, especially when they are an outgrowth of something as profound as the garden with all its holy restrictions and admonitions, must be violated.” In this interactive online workshop, we will consider such genre-defying texts as Annie John and “In History,” as well as her recent release with visual artist Kara Walker, An Encyclopedia of Gardening for Colored Children. 

Drawing on IWT’s generative writing practices, we will work in small, collaborative workshops, exploring the "I" as witness, gardener, boundary breaker, and storyteller.

Storytellers Spotlight 2025

Reading Ursula K. Le Guin: Writing New Worlds

This December, we will turn to the groundbreaking work of Ursula K. Le Guin, a Hugo- and Nebula-award winning author whose speculative fiction blends philosophy, anthropology, and feminism. As noted in The Paris Review, “No single work did more to upend the genre’s conventions than The Left Hand of Darkness.”  In the unforgettable line “The king was pregnant,” Le Guin’s 1969 novel distills the otherness of a world where all humans are androgynous and genderfluid. Through the eyes of a visitor, readers are confronted with their own preconceptions about gender roles. In the jarring fairy-tale-like story “The Ones Who Walk Away from Omelas,” Le Guin likewise illuminates chilling social practices that are quietly accepted as givens. In this workshop, we will reflect upon the contemporary resonance of Le Guin’s fiction, touching also on her essays on science fiction and feminism, as we explore the power of worldbuilding as a revelatory mirror to our own world.

Texts: The Left Hand of Darkness (excerpts), “The Ones Who Walk Away from Omelas,” and other selections.

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